ARTMoney Society presents Station NY, Kingston

Private viewing

Second Life Forms

A Future Archaeology

Rachel Hornaday, Ryan Sarah Murphy,
and Jos Prol

September 18 to 27, 2026

Pan by Rachel Hornaday: blue crosshatched paper triangles assembled into a vase-like form
Rachel Hornaday, Pan, 2016
However Away by Ryan Sarah Murphy: pink and blue cardboard relief with a long blue arm
Ryan Sarah Murphy, However Away, 2026
Painted salvaged wood sculptures by Jos Prol on a dock beside the Gowanus Canal
Jos Prol
Opening reception
Friday, September 186 to 8pm
Open daily
10am to 5pmSeptember 18 to 27
Closing reception and artist meet-and-greet
Sunday, September 272 to 5pm
Location
Station NY394 Hasbrouck Ave, Kingston, NY 12401Open in Maps  |  Station NY event page

The exhibition

Materials with a first life behind them

Security envelopes become talismans. Street-found cardboard becomes an imagined landscape. A tree pulled from Brooklyn’s Gowanus Canal becomes a series of geometric sculptures.

These are some of the transformations explored in Second Life Forms, an exhibition presented by ARTMoney Society at Station NY, 394 Hasbrouck Ave, Kingston, NY, from September 18–27.

The exhibition brings together Rachel Hornaday, Ryan Sarah Murphy, and Jos Prol, three artists who find new possibilities in materials that have already had another life.

Employing both ingenuity and imagination, these artists each explore dimensions of form and pattern in everyday materials, creating objects that transform familiar urban remnants into coded surfaces, provisional terrains, and artifacts from adjacent worlds.

Curated by Deborah Oster Pannell and Anthony-Michael Alexander

“The title, Second Life Forms stuck with me,” says Anthony-Michael Alexander, Cultural Director of ARTMoney Society. “The materials are where it starts for me, but not where it ends. What I saw in these three practices felt extraterrestrial, closer to science fiction than recycling: forms that seemed to be transmitting from somewhere else entirely, carrying a kind of unknown communication. If this is an archaeology, it’s one dug up from the future. The materials happen to have a history. What drew me to them is the sense that they’re speaking from another world.”

Anthony-Michael Alexander, ARTMoney Society

The artists

Three practices, one archaeology

Dancer by Rachel Hornaday: pink and green patterned paper shards forming an angular figure

Rachel Hornaday

For over 20 years, Rachel Hornaday has been collecting and creating collages from the interiors of security envelopes, treating their printed patterns as both graphic compositions and intimate spells for protection. What is normally hidden inside an envelope becomes, in Hornaday’s hands, a densely patterned surface of repeated lines, triangles, grids, and geometric fragments.

Exploring the notion of how we create safety, these patterns reference documents such as passports, birth certificates, and paper money, all laced with security features. Using triangular shapes as building blocks, Hornaday references the architectural elements found in pyramids, burial chambers, standing stones, and places of worship, all designed to keep the psyche safe and the soul at ease. Her angular forms can suggest figures, creatures, structures, or symbols without settling completely into any one category. The resulting constructions depict magical figures and beings, laden with mystical qualities, emerging from fields of repetition, fragmentation, and negative space.

Biography

Rachel Hornaday is an interdisciplinary artist based in Brooklyn, NY. Growing up in the woods of the Georgia mountains, she developed a sensitivity to color, patterns, and variation in nature. She’s translated this sensitivity to the decoding of patterns and colors in her art making, exploring the balance between structure and abstraction in both rural and urban environments.

With a BFA in Printmaking and Ceramics from San Francisco State University, her work in two- and three-dimensional art has led her to an extensive career as a prop designer and prop stylist in still life photography. She has continued to exhibit work in galleries in San Francisco and New York City, and paint murals and other commissions, while working out of her printmaking and ceramic studios, where she creates something new every day.

Where-in by Ryan Sarah Murphy: teal, lime and grey cardboard planes layered into a tilted landscape

Ryan Sarah Murphy

Unpainted colored cardboard, gathered from New York City streets, forms the basis of Ryan Sarah Murphy’s sculptural formations; these works evoke aerial cartographies, excavated sites, or the ruins of imagined settlements. With color as her foundation, she removes any text or graphics from the cardboard and then, working intuitively, tears, layers, and aligns the remaining fragments in new combinations. As the pieces accumulate, flat sheets of discarded cardboard become planes, edges, openings, and shifting levels of depth, creating forms that can feel architectural while remaining unmistakably handmade.

The saturated colors remain integral to the cardboard itself, allowing what was once commercial packaging to become part of something entirely new. The compositions, grounded in architecture, landscape, and abstract geometry, explore the underlying psychology within spatial forms and the built environment, and how they can personify one’s inner experience.

Biography

Ryan Sarah Murphy is a visual artist living and working in New York City. Her interdisciplinary practice is process-driven and materials-based, focusing on sculpture, mixed media works on paper, video, and photography. Ryan has been awarded grants and fellowships from the FST StudioProjects Fund (2022), NYFA Fellowship (2014), and the Working Artist Fund (2018). She has held residencies at 77 Arts, The I-Park Foundation, and The Elizabeth Foundation for the Arts. Her work has been shown in solo and group exhibitions across the US including C24 Gallery, ODETTA Gallery, The Delaware Contemporary, and Real Art Ways. Ryan’s work has been featured and reviewed in several online/print publications including The New York Times, ARTnews, Maake Magazine, Interlocutor, and Artspiel.

Jos Prol seated among his painted wood sculptures in his Gowanus boathouse studio, 2024 to 2025

Jos Prol

Jos Prol carves reclaimed wood, salvaged from Brooklyn’s Gowanus Bay, into geometric facets animated by pixelated color, bringing natural grain into conversation with digital structure and technological vision. The roughness of the reclaimed wood remains visible in its grain, knots, cracks, and irregular edges, while carefully arranged fields of color introduce a visual language reminiscent of pixels and grids.

Inspired by his work as a tour guide with the Gowanus Dredgers Canoe Club and the ongoing persistence and renewal of this recovering Superfund site, he launched this series of works as a way to bring new life to the trunk of a 40-foot tree of unknown origin that had drifted into the Gowanus Canal. Painting the methodically cleaned, dried, and cut pieces of wood with detailed color patterns has given each one a face to converse with the urban density of their arrival destination. The works bring two very different histories into the same object: the natural life of the tree and its unexpected second life shaped by the city around it.

Biography

Jos Prol is a Brooklyn-based artist who works through the mediums of painting and sculpture. His work explores the structure and meaning of nature with a particular fascination in where its borders lay in relation to human creation. He draws inspiration from the waters of the Gowanus Canal, horticulture of the Brooklyn Botanic Garden, and landscape management of Prospect Park, creating images and forms that compare synthetic with organic. Educated as an architect, with years of experience in structural engineering and building, Jos is also deeply connected to nature. He approaches his work with questions about what defines the distinctions and borders and invites viewers to see themselves as more connected and part of nature than traditional sensibilities would seem to suggest.

Price list

Available works

Select an image for a larger view. Each work has a number. Reserve a work with a deposit of 20 percent of the price, with a $250 minimum. We send an invoice for the balance after your deposit. Shipping is quoted separately and added to that invoice. For questions, write to us and quote the work number.

  • Jos Prol

    Amphibian Sideways, 2024

    Painted salvaged wood

    10 x 12 x 12 in., 25.4 x 30.5 x 30.5 cm

    $1,350

    Deposit $270

  • Jos Prol

    Beech Memory 7, 2025

    Salvaged wood

    20 x 7 x 5 in., 50.8 x 17.8 x 12.7 cm

    $550

    Deposit $250

  • Jos Prol

    Beech Moment 4, 2026

    Painted salvaged wood

    6 x 3 x 3 in., 15.2 x 7.6 x 7.6 cm

    $300

    Deposit $250

  • Jos Prol

    Beech Moment 5, 2026

    Painted salvaged wood

    6 x 3 x 3 in., 15.2 x 7.6 x 7.6 cm

    $300

    Deposit $250

  • Jos Prol

    Beech Time Lock, 2025

    Salvaged wood

    28 x 4 x 4 in., 71.1 x 10.2 x 10.2 cm

    $1,200

    Deposit $250

  • Jos Prol

    Beech Time Lock 2, 2025

    Painted salvaged wood

    19 x 2 x 2 in., 48.3 x 5.1 x 5.1 cm

    $650

    Deposit $250

  • Jos Prol

    Brooklyn Coffee 2, 2026

    Painted salvaged wood

    8 x 4 x 4 in., 20.3 x 10.2 x 10.2 cm

    $600

    Deposit $250

  • Jos Prol

    Brooklyn Seasons, 2026

    Painted salvaged wood

    8 x 4 x 4 in., 20.3 x 10.2 x 10.2 cm

    $750

    Deposit $250

  • Jos Prol

    Brooklyn Seasons 2, 2026

    Painted salvaged wood

    10 x 4 x 4 in., 25.4 x 10.2 x 10.2 cm

    $750

    Deposit $250

  • Jos Prol

    Bunker Open, 2026

    Painted salvaged wood

    12 x 6 x 9 in., 30.5 x 15.2 x 22.9 cm

    $1,800

    Deposit $360

  • Jos Prol

    Leviathan's Cuff, 2026

    Painted salvaged wood

    17 x 10 x 21 in., 43.2 x 25.4 x 53.3 cm

    $5,500

    Deposit $1,100

  • Jos Prol

    Leviathan 2, 2024

    Painted salvaged wood

    30 x 12 x 10 in., 76.2 x 30.5 x 25.4 cm

    $4,000

    Deposit $800

  • Jos Prol

    Leviathan 7, 2024

    Painted salvaged wood

    48 x 16 x 9 in., 121.9 x 40.6 x 22.9 cm

    $4,200

    Deposit $840

  • Jos Prol

    Leviathan 9, 2024

    Painted salvaged wood

    20 x 12 x 8 in., 50.8 x 30.5 x 20.3 cm

    $2,800

    Deposit $560

  • Jos Prol

    Leviathan 14, 2024

    Painted salvaged wood

    14 x 6 x 6 in., 35.6 x 15.2 x 15.2 cm

    $2,300

    Deposit $460

  • Jos Prol

    Naked Street Tree, 2026

    Salvaged wood

    14 x 5 x 4 in., 35.6 x 12.7 x 10.2 cm

    $700

    Deposit $250

  • Jos Prol

    Pride Island Cape, 2026

    Painted salvaged wood

    12 x 7 x 5 in., 30.5 x 17.8 x 12.7 cm

    $1,800

    Deposit $360

  • Jos Prol

    Skull, 2026

    Painted salvaged wood

    11 x 6 x 5 in., 27.9 x 15.2 x 12.7 cm

    $900

    Deposit $250

  • Rachel Hornaday

    King, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Serpent, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Shaman, 2017

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Untitled, 2017

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Ship, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Princess, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Warrior, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Pan, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Queen, 2016

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Bird, 2026

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    The Bank, 2026

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Dragon, 2026

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Healer, 2026

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Dancer, 2026

    Collage, printed envelopes, Rives BFK paper

    22 x 30 in., 55.9 x 76.2 cm

    $1,600

    Deposit $320

  • Rachel Hornaday

    Con Edison 1, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    Con Edison 2, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    National Grid 1, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    National Grid 2, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    Sprint 1, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    Sprint 2, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    Taxes 1, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Rachel Hornaday

    Taxes 2, 2017

    Collage, printed envelopes, Rives BFK paper

    4 x 6 in., 10.2 x 15.2 cm

    $500

    Deposit $250

  • Ryan Sarah Murphy

    However Away, 2026

    Found (unpainted) cardboard, foamcore

    19 x 16.75 x 2 in., 48.3 x 42.5 x 5.1 cm

    $1,000

    Deposit $250

  • Ryan Sarah Murphy

    Rooms, 2023

    Found (unpainted) cardboard, book covers, foamcore

    21 x 19 x 8 in., 53.3 x 48.3 x 20.3 cm

    $2,800

    Deposit $560

  • Ryan Sarah Murphy

    Where-in, 2022

    Found (unpainted) cardboard, cut book cover, foamcore

    18 x 21 x 3 in., 45.7 x 53.3 x 7.6 cm

    $1,800

    Deposit $360

  • Ryan Sarah Murphy

    a piece of the continent, a part of the main, 2022

    Found (unpainted) cardboard, foamcore

    21.5 x 20.25 x 1 in., 54.6 x 51.4 x 2.5 cm

    $2,000

    Deposit $400

  • Ryan Sarah Murphy

    Partition, 2021

    Found (unpainted) cardboard, foamcore

    10.75 x 9 x 3.75 in., 27.3 x 22.9 x 9.5 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Visit, 2022

    Found (unpainted) cardboard, foamcore

    9.5 x 11.5 x 3.25 in., 24.1 x 29.2 x 8.3 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Strata, 2022

    Found (unpainted) cardboard, foamcore

    14.75 x 16 x 2 in., 37.5 x 40.6 x 5.1 cm

    $950

    Deposit $250

  • Ryan Sarah Murphy

    Step, 2022

    Found (unpainted) cardboard, cut book cover, foamcore

    13 x 10.5 x 6 in., 33 x 26.7 x 15.2 cm

    $1,000

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 3 (Collusion), 2023

    Found (unpainted) cardboard, foamcore

    11.5 x 9.25 x 2.75 in., 29.2 x 23.5 x 7 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 5 (Event), 2023

    Found (unpainted) cardboard, foamcore

    12 x 10.75 x 3.25 in., 30.5 x 27.3 x 8.3 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 6 (Pike), 2023

    Found (unpainted) cardboard, foamcore

    10 x 9 x 3.5 in., 25.4 x 22.9 x 8.9 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 9 (March), 2023

    Found (unpainted) cardboard, foamcore

    9.75 x 10 x 3.5 in., 24.8 x 25.4 x 8.9 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 10 (Promotion), 2023

    Found (unpainted) cardboard, foamcore

    12.75 x 10.75 x 3.5 in., 32.4 x 27.3 x 8.9 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 11 (Waypost), 2024

    Found (unpainted) cardboard, foamcore

    11.5 x 9.25 x 2.75 in., 29.2 x 23.5 x 7 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 13 (Divide), 2024

    Found (unpainted) cardboard, foamcore

    11.5 x 9.25 x 2.75 in., 29.2 x 23.5 x 7 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 19 (Embankment), 2024

    Found (unpainted) cardboard, foamcore

    10 x 9.75 x 3.5 in., 25.4 x 24.8 x 8.9 cm

    $900

    Deposit $250

  • Ryan Sarah Murphy

    Re-STRUCTURE 22 (Grade), 2024

    Found (unpainted) cardboard, foamcore

    11.75 x 9.25 x 2.5 in., 29.8 x 23.5 x 6.3 cm

    $900

    Deposit $250

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